![]() She said that she wrote a duet that she wanted to sing with Sting, but she didn't have the nerve. "Unknown Title" ~ In Spring 1983, Stevie gave a short interview with a women's magazine (I'm working on it right now to quote the source exactly, but it really happened!) about her upcoming new album, The Wild Heart. Stevie would again record this song (several takes) for The Other Side Of The Mirror, and again axe it from the final release. "Dial The Number" ~ Written in 1982, lyrics by Stevie, music by Sandy Stewart, and recorded for The Wild Heart. Bruce put his version out as a b-side in 1985 (and subsequent CD compilations), but Stevie's version remains completely unheard by fans. Bruce wasn't pleased that Stevie changed the title subject to be a male, and had her turn over all copies of her version back to him. "Baby Don't Lose Your Heart" ~ Stevie recorded a version of Bruce Springsteen's then-unreleased song, "Janey Don't Lose Heart", for The Wild Heart in 1983. After Stevie leaves it off of The Wild Heart, Sandy would write her own lyrics for the music, entitle it "Leave It All Behind", and put it on her first album, Cat Dancer (March 1984). "One More Tomorrow" ~ Stevie wrote the lyrics, Sandy Stewart and David Munday wrote the music. ![]() Was this meant to be as a b-side for "Nightbird"? Or work for Stevie's next album? ("One More Big Time Rock And Roll Star" was recorded in July 1983 for Rock A Little while Stevie was on tour for The Wild Heart, so she was already working on that next album!) Percussion guides as well as payment authorization dated October 1983 exist for Bobbye Hall to do percussion overdubs on the existing track. "All The Beautiful Worlds" ~ Recorded in Dallas in 1982, produced by Gordon Perry, for The Wild Heart. "Julia" was taken off of The Wild Heart (and Bella Donna) because Jimmy Iovine hated the song (per my 1996 interview with Gordon Perry here in Dallas). Fully recorded for Bella Donna (several takes exist), "Julia" was also fully recorded for The Wild Heart in Dallas in 1982, produced by Gordon Perry. The full band versions that exist are probably from the Bella Donna sessions. Recorded for Bella Donna, and Stevie gave an interview in 1982 listing "Belle Fleur" (and the above three songs) as already recorded for her second solo album. "Belle Fleur" ~ Earliest demos are dated 1981. "Destiny" would find an official home on Street Angel in 1994 (recorded in 1992, with touch-ups applied in 1993 & 1994). "Enchanted" utilizes many of the same lyrics, probably taking its place on The Wild Heart, although it is a separate song. Written "on a break" with Lindsey, "Destiny" is about another man who captivated Stevie during this time. A full six-minute version exists, as well as a four-minute edit. Recorded in Dallas in 1982 for The Wild Heart, produced by Gordon Perry. "Violet And Blue" was remixed in October 1990 by Chris Lord-Alge for possible inclusion on TimeSpace. Written and recorded originally in 1982, the movie uses the earlier recording while the actual soundtrack has a later version. "Violet And Blue" ~ Against All Odds soundtrack, March 1984. "Garbo" would get new life in 1998 when it would be on Stevie's box set, as well as part of the Enchanted tour set list. Written in 1973, after the infamous nude BuckinghamNicks cover shoot. ![]() Here is a list of known extra recorded material from The Wild Heart~ Perhaps this is because of the short amount of time Stevie had between Bella Donna and Mirage, both those tours, and The Wild Heart. ![]() Compared to all of Stevie's other albums, solo and with Fleetwood Mac from Tusk and forward, The Wild Heart has the least amount of outtakes and rarities. No known alternates exist for songs like "Gate And Garden" and "I Will Run To You". The Wild Heart remains the era which has the least amount of known outtakes and demos, especially for the songs on the album.
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